10 Great Movie and Film Posters: An Analysis

As a collector of movie posters, I often marvel at the wide variety of movie posters that studios release. Some marketing departments just go the direct route - they throw the star's face on the poster, include the title at the top, and they're done. There's not much art in the whole thing. Other studios release film posters where you'd be hard-pressed to figure out what movie they're even promoting.

The great movie poster lies somewhere between a great piece of marketing and a great piece of art. I particularly like movie posters that try to tell a story through images - where upon a single glance, you get a whole array of ideas about the movie. Some posters are just great because they convey their primary message directly, with style.

Below are 10 film posters that I find particularly compelling. They are not in any specific order.

This poster points out one of the interesting things about movie posters in general: the preview poster is often better than the release poster.

Preview posters, such as this one, take more chances. I really like this poster because of the contrasting images: the cheerleader and the stake. I also like the humor in the catch phrase: "she knows a sucker when she sees one".

Although it might not have seemed alluring way back when, it really does seem like a great poster now given the success of the tv show. Too bad the movie wasn't better.

This is a fantastic movie with a fantastic poster.

What one should be able to infer from the poster is that the film takes place in Rio County and that it concerns a murder.

However, what is also present in the poster is that the murder is hidden by the law and/or covered up by the badge. The poster also implies layers, which is very much how the film works.

"Lone Star" details one sheriff finding the bones of another sheriff and then unearthing all kinds of secrets from it.

Now look at the poster again. It really sums up the movie beautifully.

It's kind of hard to imagine now that "Jaws" was rated PG back in 1975. The poster is frightening enough to be rated "R".

What's fascinating about this poster is that it really only shows the very first scene in the movie, but it's that scene that sets up everything about the movie. It creates the atmosphere and the anticipation for all that follows.

The way the borders create this fish tank impression emphasizes the concept of confined space. The shark is an arrow headed straight for the woman who has no chance of escape.

And have I even mentioned the size of that shark. Really, a perfect poster for the movie.

This is one of my favorite Italian horror films.

Since the film is called "I corpi presentano tracce di violenza carnale" in Italian, I'm assuming this poster is the American release poster.

Some posters try to do too much, but not this one. I'm particularly compelled by the yellow space and how much of it there is, which focuses the eyes on the central image of the hand holding the saw and the picture of the woman framed by the saw. Also, yellow is the color of cowardice or fear.

The text in the bottom right reads "to preserve the surprise ending, no one admitted during the last 10 minutes."

There are many good posters for Alfred Hitchock's films and it's hard just to focus on one. The poster for "The Birds" is particularly good also.

The literal image of the poster basically suggests what the film is about. Without interpreting, there's a man and a woman together in a kind of spinning design. The movie, about a detective with acrophobia who becomes obsessed with an old friend's wife, mirrors the poster's design.

Like the poster before it, the use of white space (or in this case, orange) drives the eye into the middle of the poster and around, mirroring one of the central images/feelings of the film.

There's an awful lot going on in this poster, which is not unlike the movie, which has numerous intertwining storylines.

However, I think one of the things that make this poster great is the retro feel of it, which was in stark contrast to most of the posters of its day.

I don't think the poster tells much of a story, but it is curious that Uma Thurman's character is featured on the poster as opposed to John Travolta or Samuel L. Jackson. Given that she does not appear until well into the movie, it does create some amount of curiosity on the part of the viewer.

She is, in a way, the center of the movie, both literally and figuratively.

This poster says everything about the movie.

First of all, the black and white coloring creates a very stark mood. When something lacks color, it lacks hope.

Travis Bickle (De Niro) is walking alone. Everything about him says he's lonely - he's slightly hunched and his hands are in his pockets. He's in a seedy section of town, which suggests both lonliness and hopelessness.

What I love about this poster is our perspective. Remember, this picture could be shot in any way, but here, Bickle is as close to us as he can be. He's also at the end of his walk as far as we can tell. He's going nowhere.

This poster seems to have nothing to do with the movie and everything to do with the movie.

However, since this was the advance poster, it's merely suggesting something about the movie and that suggestion is freedom. This is a picture of a man celebrating his freedom.

Standing out in the rain is something most of us take for granted, but not this man. This man is somebody who looks like he hasn't felt a rainfall in forever. He's using his body to soak up every inch of the rain that hits him.

And that, effectively, is what the movie is about - a man who never gives up hope that he will one day be free.

From afar, this is a simple poster featuring Jim Carrey's smiling face as the unassuming, happy title character.

But as the viewer draws closer to the poster, the face becomes increasingly unrecognizable and what's revealed is that the poster is actually made up of individual images of the character - each a snapshot of his life.

Since the film is, in fact, about a man who grows up entirely on television, the whole concept of the poster perfectly encompasses what the movie is about. Is Truman just made up of these individual, staged moments, or is he more than the sum of all the parts? The poster perfectly conveys the film's existential issues.

Well, if you weren't compelled by the words at the top of the poster, "work sucks", the image of a man made entirely out of (or covered in them?) Post-It notes should do it.

Obviously, it doesn't take a genius to get this one, but it concisely conveys the central character's mood.

He feels overwhelmed by the mundane, the little things, the things about office life that seem pointless, ridiculous, overwhelming. The notes are important to the people who wrote them, but to you, they're a burden.

And if you're constantly answering all those notes, how do you get any work done?

All of these questions come about as a result of this poster.